한글목차

세계 라이브 스트리밍 장비 시장 규모는 2023년 26억 9,000만 달러에 달했습니다.

이 시장은 2024-2030년 예측 기간 동안 8.27%의 CAGR로 성장하여 2030년에는 39억 2,000만 달러에 달할 것으로 예상됩니다.

북미의 라이브 스트리밍 장비 시장 규모는 2023년 8억 4,408만 달러에 달했습니다. 이 시장은 2024-2030년 예측 기간 동안 7.23%의 CAGR로 성장하여 2030년까지 11억 3,169만 달러에 달할 것으로 예상됩니다.

아시아태평양의 라이브 스트리밍 장비 시장 규모는 2023년 8억 8,467만 달러에 달했습니다. 이 시장은 2024-2030년 예측 기간 동안 9.76%의 CAGR로 성장하여 2030년에는 14억 3,315만 달러에 달할 것으로 예상됩니다.

유럽의 라이브 스트리밍 장비 시장 규모는 2023년 7억 2,983만 달러에 달했습니다. 이 시장은 2024-2030년 예측 기간 동안 7.29%의 CAGR로 성장하여 2030년까지 10억 752만 달러에 달할 것으로 예상됩니다.

라이브 스트리밍 장비의 세계 주요 기업으로는 Canon, Sony, Panasonic, Logitech, Elgato, MOMA, Aputure, FOR-A COMPANY LIMITED, AVerMedia 등이 있습니다. 2023년 세계 5대 기업이 매출 기준으로 약 51.32%의 점유율을 차지하고 있습니다.

이 보고서는 세계 라이브 스트리밍 장비 시장에 대해 조사했으며, 시장 개요와 함께 유형별, 용도별, 지역별 동향, 시장 진입 기업 개요 등을 제공합니다.

목차

제1장 시장 개요

• 라이브 스트리밍 장비 제품 소개
• 세계의 라이브 스트리밍 장비 시장 규모 예측(2019-2030년)
• 라이브 스트리밍 장비 시장 동향과 성장 촉진요인
• 가정과 제한
• 조사 목적
• 대상 연도

제2장 기업에 의한 경쟁 분석

제3장 유형별 세분화

• 유형별 소개
• 세계의 라이브 스트리밍 장비 판매액(유형별)

제4장 용도별 세분화

• 용도별 소개
• 세계의 라이브 스트리밍 장비 판매액(용도별)

제5장 지역별 세분화

• 세계의 라이브 스트리밍 장비 판매액(지역별)
• 북미
• 유럽
• 아시아태평양
• 라틴아메리카
• 중동 및 아프리카

제6장 주요 국가/지역별 세분화

• 주요 국가/지역의 라이브 스트리밍 장비, 판매액, 성장 동향, 2019년 대 2023년 대 2030년
• 주요 국가/지역의 라이브 스트리밍 장비, 판매액, 2019-2030년
• 미국
• 유럽
• 중국
• 일본
• 한국
• 동남아시아
• 인도

제7장 기업 개요

• Canon
• Sony
• Panasonic
• Logitech
• Elgato
• MOMA
• Aputure
• FOR-A COMPANY LIMITED
• AVerMedia
• Crestron
• Extron

제8장 산업 체인 분석

제9장 조사 결과와 결론

제10장 부록

영문목차

The global market for Live Streaming Equipment was estimated to be worth US$ 2.69 billion in 2023 and is forecast to a readjusted size of US$ 3.92 billion by 2030 with a CAGR of 8.27% during the forecast period 2024-2030.

North American market for Live Streaming Equipment was valued at $ 844.08 million in 2023 and will reach $ 1,131.69 million by 2030, at a CAGR of 7.23% during the forecast period of 2024 through 2030.

Asia-Pacific market for Live Streaming Equipment was valued at $ 884.67 million in 2023 and will reach $ 1,433.15 million by 2030, at a CAGR of 9.76% during the forecast period of 2024 through 2030.

Europe market for Live Streaming Equipment was valued at $ 729.83 million in 2023 and will reach $ 1,007.52 million by 2030, at a CAGR of 7.29% during the forecast period of 2024 through 2030.

The global key companies of Live Streaming Equipment include Canon, Sony, Panasonic, Logitech, Elgato, MOMA, Aputure, FOR-A COMPANY LIMITED, and AVerMedia, etc. In 2023, the global five largest players hold a share approximately 51.32% in terms of revenue.

This report aims to provide a comprehensive presentation of the global market for Live Streaming Equipment, focusing on the total sales revenue, key companies market share and ranking, together with an analysis of Live Streaming Equipment by region & country, by Type, and by Application.

The Live Streaming Equipment market size, estimations, and forecasts are provided in terms of sales revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Live Streaming Equipment.

Market Segmentation

By Company

• Canon
• Sony
• Panasonic
• Logitech
• Elgato
• MOMA
• Aputure
• FOR-A COMPANY LIMITED
• AVerMedia
• Crestron
• Extron

Segment by Type

• Camera
• Microphone
• Lighting
• Encoder
• Others

Segment by Application

• E-Commerce
• Entertainment
• Sports
• Education
• Others

By Region

• North America
• United States
• Canada
• Asia-Pacific
• China
• Japan
• South Korea
• Southeast Asia
• India
• Australia
• Rest of Asia-Pacific
• Europe
• Germany
• France
• U.K.
• Italy
• Nordic Countries
• Rest of Europe
• Latin America
• Mexico
• Brazil
• Rest of Latin America
• Middle East & Africa

Chapter Outline

Chapter 1: Introduces the report scope of the report, global total market size. This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.

Chapter 2: Detailed analysis of Live Streaming Equipment company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.

Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.

Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.

Chapter 5: Revenue of Live Streaming Equipment in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.

Chapter 6: Revenue of Live Streaming Equipment in country level. It provides sigmate data by Type, and by Application for each country/region.

Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product revenue, gross margin, product introduction, etc.

Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.

Chapter 9: Conclusion.

Table of Contents

1 Market Overview

• 1.1 Live Streaming Equipment Product Introduction
• 1.2 Global Live Streaming Equipment Market Size Forecast (2019-2030)
• 1.3 Live Streaming Equipment Market Trends & Drivers
  • 1.3.1 Live Streaming Equipment Industry Trends
  • 1.3.2 Live Streaming Equipment Market Drivers & Opportunity
  • 1.3.3 Live Streaming Equipment Market Restraints
• 1.4 Assumptions and Limitations
• 1.5 Study Objectives
• 1.6 Years Considered

2 Competitive Analysis by Company

• 2.1 Global Live Streaming Equipment Players Revenue Ranking (2023)
• 2.2 Global Live Streaming Equipment Revenue by Company (2019-2024)
• 2.3 Key Companies Live Streaming Equipment Manufacturing Base Distribution and Headquarters
• 2.4 Key Companies Live Streaming Equipment Product Offered
• 2.5 Live Streaming Equipment Market Competitive Analysis
  • 2.5.1 Live Streaming Equipment Market Concentration Rate (2019-2024)
  • 2.5.2 Global 5 and 10 Largest Companies by Live Streaming Equipment Revenue in 2023
  • 2.5.3 Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Live Streaming Equipment as of 2023)
• 2.6 Mergers & Acquisitions, Expansion

3 Segmentation by Type

• 3.1 Introduction by Type
  • 3.1.1 Camera
  • 3.1.2 Microphone
  • 3.1.3 Lighting
  • 3.1.4 Encoder
  • 3.1.5 Others
• 3.2 Global Live Streaming Equipment Sales Value by Type
  • 3.2.1 Global Live Streaming Equipment Sales Value by Type (2019 VS 2023 VS 2030)
  • 3.2.2 Global Live Streaming Equipment Sales Value, by Type (2019-2030)
  • 3.2.3 Global Live Streaming Equipment Sales Value, by Type (%) (2019-2030)

4 Segmentation by Application

• 4.1 Introduction by Application
  • 4.1.1 E-Commerce
  • 4.1.2 Entertainment
  • 4.1.3 Sports
  • 4.1.4 Education
  • 4.1.5 Others
• 4.2 Global Live Streaming Equipment Sales Value by Application
  • 4.2.1 Global Live Streaming Equipment Sales Value by Application (2019 VS 2023 VS 2030)
  • 4.2.2 Global Live Streaming Equipment Sales Value, by Application (2019-2030)
  • 4.2.3 Global Live Streaming Equipment Sales Value, by Application (%) (2019-2030)

5 Segmentation by Region

• 5.1 Global Live Streaming Equipment Sales Value by Region
  • 5.1.1 Global Live Streaming Equipment Sales Value by Region: 2019 VS 2023 VS 2030
  • 5.1.2 Global Live Streaming Equipment Sales Value by Region (2019-2024)
  • 5.1.3 Global Live Streaming Equipment Sales Value by Region (2025-2030)
  • 5.1.4 Global Live Streaming Equipment Sales Value by Region (%), (2019-2030)
• 5.2 North America
  • 5.2.1 North America Live Streaming Equipment Sales Value, 2019-2030
  • 5.2.2 North America Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
• 5.3 Europe
  • 5.3.1 Europe Live Streaming Equipment Sales Value, 2019-2030
  • 5.3.2 Europe Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
• 5.4 Asia Pacific
  • 5.4.1 Asia Pacific Live Streaming Equipment Sales Value, 2019-2030
  • 5.4.2 Asia Pacific Live Streaming Equipment Sales Value by Region (%), 2023 VS 2030
• 5.5 Latin America
  • 5.5.1 Latin America Live Streaming Equipment Sales Value, 2019-2030
  • 5.5.2 Latin America Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
• 5.6 Middle East & Africa

6 Segmentation by Key Countries/Regions

• 6.1 Key Countries/Regions Live Streaming Equipment Sales Value Growth Trends, 2019 VS 2023 VS 2030
• 6.2 Key Countries/Regions Live Streaming Equipment Sales Value, 2019-2030
• 6.3 United States
  • 6.3.1 United States Live Streaming Equipment Sales Value, 2019-2030
  • 6.3.2 United States Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.3.3 United States Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.4 Europe
  • 6.4.1 Europe Live Streaming Equipment Sales Value, 2019-2030
  • 6.4.2 Europe Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.4.3 Europe Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.5 China
  • 6.5.1 China Live Streaming Equipment Sales Value, 2019-2030
  • 6.5.2 China Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.5.3 China Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.6 Japan
  • 6.6.1 Japan Live Streaming Equipment Sales Value, 2019-2030
  • 6.6.2 Japan Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.6.3 Japan Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.7 South Korea
  • 6.7.1 South Korea Live Streaming Equipment Sales Value, 2019-2030
  • 6.7.2 South Korea Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.7.3 South Korea Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.8 Southeast Asia
  • 6.8.1 Southeast Asia Live Streaming Equipment Sales Value, 2019-2030
  • 6.8.2 Southeast Asia Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.8.3 Southeast Asia Live Streaming Equipment Sales Value by Application, 2023 VS 2030
• 6.9 India
  • 6.9.1 India Live Streaming Equipment Sales Value, 2019-2030
  • 6.9.2 India Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
  • 6.9.3 India Live Streaming Equipment Sales Value by Application, 2023 VS 2030

7 Company Profiles

• 7.1 Canon
  • 7.1.1 Canon Profile
  • 7.1.2 Canon Main Business
  • 7.1.3 Canon Live Streaming Equipment Products, Services and Solutions
  • 7.1.4 Canon Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.2 Sony
  • 7.2.1 Sony Profile
  • 7.2.2 Sony Main Business
  • 7.2.3 Sony Live Streaming Equipment Products, Services and Solutions
  • 7.2.4 Sony Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.3 Panasonic
  • 7.3.1 Panasonic Profile
  • 7.3.2 Panasonic Main Business
  • 7.3.3 Panasonic Live Streaming Equipment Products, Services and Solutions
  • 7.3.4 Panasonic Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.4 Logitech
  • 7.4.1 Logitech Profile
  • 7.4.2 Logitech Main Business
  • 7.4.3 Logitech Live Streaming Equipment Products, Services and Solutions
  • 7.4.4 Logitech Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.5 Elgato
  • 7.5.1 Elgato Profile
  • 7.5.2 Elgato Main Business
  • 7.5.3 Elgato Live Streaming Equipment Products, Services and Solutions
  • 7.5.4 Elgato Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.6 MOMA
  • 7.6.1 MOMA Profile
  • 7.6.2 MOMA Main Business
  • 7.6.3 MOMA Live Streaming Equipment Products, Services and Solutions
  • 7.6.4 MOMA Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.7 Aputure
  • 7.7.1 Aputure Profile
  • 7.7.2 Aputure Main Business
  • 7.7.3 Aputure Live Streaming Equipment Products, Services and Solutions
  • 7.7.4 Aputure Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.8 FOR-A COMPANY LIMITED
  • 7.8.1 FOR-A COMPANY LIMITED Profile
  • 7.8.2 FOR-A COMPANY LIMITED Main Business
  • 7.8.3 FOR-A COMPANY LIMITED Live Streaming Equipment Products, Services and Solutions
  • 7.8.4 FOR-A COMPANY LIMITED Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.9 AVerMedia
  • 7.9.1 AVerMedia Profile
  • 7.9.2 AVerMedia Main Business
  • 7.9.3 AVerMedia Live Streaming Equipment Products, Services and Solutions
  • 7.9.4 AVerMedia Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.10 Crestron
  • 7.10.1 Crestron Profile
  • 7.10.2 Crestron Main Business
  • 7.10.3 Crestron Live Streaming Equipment Products, Services and Solutions
  • 7.10.4 Crestron Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
• 7.11 Extron
  • 7.11.1 Extron Profile
  • 7.11.2 Extron Main Business
  • 7.11.3 Extron Live Streaming Equipment Products, Services and Solutions
  • 7.11.4 Extron Live Streaming Equipment Revenue (US$ Million) & (2019-2024)

8 Industry Chain Analysis

• 8.1 Live Streaming Equipment Industrial Chain
• 8.2 Live Streaming Equipment Upstream Analysis
  • 8.2.1 Key Raw Materials
  • 8.2.2 Raw Materials Key Suppliers
  • 8.2.3 Manufacturing Cost Structure
• 8.3 Downstream Analysis (Customers Analysis)
• 8.4 Sales Model and Sales Channels
  • 8.4.1 Live Streaming Equipment Sales Model
  • 8.4.2 Live Streaming Equipment Distributors

9 Research Findings and Conclusion

10 Appendix

• 10.1 Research Methodology
  • 10.1.1 Methodology/Research Approach
  • 10.1.2 Data Source
• 10.2 Author Details
• 10.3 Disclaimer