¼¼°èÀÇ Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½ÃÀå
Playout Automation and Channel-in-a-Box
»óǰÄÚµå : 1589009
¸®¼­Ä¡»ç : Global Industry Analysts, Inc.
¹ßÇàÀÏ : 2024³â 11¿ù
ÆäÀÌÁö Á¤º¸ : ¿µ¹® 89 Pages
 ¶óÀ̼±½º & °¡°Ý (ºÎ°¡¼¼ º°µµ)
US $ 5,850 £Ü 8,464,000
PDF (Single User License) help
PDF º¸°í¼­¸¦ 1¸í¸¸ ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. Àμâ´Â °¡´ÉÇϸç Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿Í µ¿ÀÏÇÕ´Ï´Ù.
US $ 17,550 £Ü 25,393,000
PDF (Global License to Company and its Fully-owned Subsidiaries) help
PDF º¸°í¼­¸¦ µ¿ÀÏ ±â¾÷ÀÇ ¸ðµç ºÐÀÌ ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. Àμâ´Â °¡´ÉÇϸç Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿Í µ¿ÀÏÇÕ´Ï´Ù.


Çѱ۸ñÂ÷

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ¼¼°è ½ÃÀå ±Ô¸ð´Â 2030³â±îÁö 975¾ï ´Þ·¯¿¡ ´ÞÇÒ °ÍÀ¸·Î Àü¸Á

2023³â 367¾ï ´Þ·¯·Î ÃßÁ¤µÇ´Â Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ¼¼°è ½ÃÀåÀº 2023³âºÎÅÍ 2030³â±îÁö ¿¬Æò±Õ 15.0% ¼ºÀåÇÏ¿© 2030³â¿¡´Â 975¾ï ´Þ·¯¿¡ ´ÞÇÒ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. ÀÌ º¸°í¼­¿¡¼­ ºÐ¼®ÇÑ ºÎ¹® Áß ÇϳªÀÎ ´º½º ä³Î ¾ÖÇø®ÄÉÀ̼ÇÀº CAGR 16.0%¸¦ ±â·ÏÇÏ¿© ºÐ¼® ±â°£ÀÌ ³¡³¯ ¶§±îÁö 455¾ï ´Þ·¯¿¡ ´ÞÇÒ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. ½ºÆ÷Ã÷ ä³Î ¾ÖÇø®ÄÉÀÌ¼Ç ºÐ¾ßÀÇ ¼ºÀå·üÀº ºÐ¼® ±â°£ µ¿¾È CAGR 14.7%·Î ÃßÁ¤µË´Ï´Ù.

¹Ì±¹ ½ÃÀå 101¾ï ´Þ·¯, Áß±¹Àº CAGR 14.1%·Î ¼ºÀåÇÒ °ÍÀ¸·Î ¿¹»ó

¹Ì±¹ÀÇ Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½ÃÀåÀº 2023³â 101¾ï ´Þ·¯¿¡ ´ÞÇÒ °ÍÀ¸·Î ÃßÁ¤µË´Ï´Ù. ¼¼°è 2À§ÀÇ °æÁ¦ ´ë±¹ÀÎ Áß±¹Àº 2030³â±îÁö 14.1%ÀÇ CAGR(2023-2030³â)·Î 2030³â±îÁö 148¾ï ´Þ·¯ÀÇ ½ÃÀå ±Ô¸ð¿¡ µµ´ÞÇÒ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. ´Ù¸¥ ÁÖ¸ñÇÒ ¸¸ÇÑ Áö¿ª ½ÃÀåÀ¸·Î´Â ÀϺ»°ú ij³ª´Ù°¡ ÀÖÀ¸¸ç, ºÐ¼® ±â°£ µ¿¾È °¢°¢ 13.3%¿Í 12.5%ÀÇ CAGRÀ» ±â·ÏÇÒ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. À¯·´¿¡¼­´Â µ¶ÀÏÀÌ ¿¬Æò±Õ 10.6%ÀÇ ¼ºÀå·üÀ» º¸ÀÏ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù.

¼¼°è Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½ÃÀå - ÁÖ¿ä µ¿Çâ ¹× ÃËÁø¿äÀÎ ¿ä¾à

Ç÷¹À̾ƿô ÀÚµ¿È­¿Í ä³Î ÀÎ ¾î ¹Ú½º°¡ ¹æ¼Û ¾÷¹«¿¡ Çõ¸íÀ» °¡Á®¿Ã ¼ö ÀÖ´Â ÀÌÀ¯´Â ¹«¾ùÀϱî?

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º(Channel in a Box, CiaB) ±â¼úÀº ¹æ¼Û ¾÷°è¿¡ Å« º¯È­¸¦ °¡Á®¿ÔÀ¸¸ç, ¿öÅ©Ç÷ο츦 °£¼ÒÈ­ÇÏ°í ¿î¿µ ºñ¿ëÀ» Àý°¨Çß½À´Ï´Ù. ±âÁ¸¿¡´Â ÄÁÅÙÃ÷ÀÇ ÀúÀå, ó¸®, ½ºÄÉÁÙ¸µ, Àü¼ÛÀ» À§ÇØ ¿©·¯ Àåºñ°¡ ÇÊ¿äÇßÁö¸¸, CiaB´Â ÀÌ·¯ÇÑ ±â´ÉÀ» ÇϳªÀÇ ÄÄÆÑÆ®ÇÑ ½Ã½ºÅÛÀ¸·Î ÅëÇÕÇß½À´Ï´Ù. ÀÌ·¯ÇÑ ÀüȯÀ» ÅëÇØ ¹æ¼Û»ç´Â ¿©·¯ ä³ÎÀ» Áß¾Ó¿¡¼­ °ü¸®Çϰí ÄÁÅÙÃ÷¸¦ º¸´Ù È¿À²ÀûÀ¸·Î Àü´ÞÇÒ ¼ö ÀÖ°Ô µÇ¾ú½À´Ï´Ù. Ç÷¹À̾ƿô ÀÚµ¿È­ ±â¼úÀº ¹æ¼Û»ç°¡ ÃÖ¼ÒÇÑÀÇ Àη °³ÀÔÀ¸·Î ÄÁÅÙÃ÷¸¦ ½ºÄÉÁÙ¸µÇÏ°í ¹èÆ÷ÇÒ ¼ö ÀÖµµ·Ï ÇÏ¿© 24½Ã°£ 365ÀÏ ¿øÈ°ÇÑ ¿î¿µÀ» º¸ÀåÇÔÀ¸·Î½á À̸¦ ´õ¿í °­È­ÇÕ´Ï´Ù.

ÀÌ·¯ÇÑ ±â¼úÀº ¿î¿µÀ» ´Ü¼øÈ­ÇÒ »Ó¸¸ ¾Æ´Ï¶ó ¹æ¼Û »ç¾÷ÀÚ¿¡°Ô À¯¿¬¼ºÀ» Á¦°øÇÏ°í ¼­ºñ½º È®ÀåÀ» °¡´ÉÇÏ°Ô ÇÕ´Ï´Ù. OTT(Over-The-Top) Ç÷§Æû°ú ¸ÖƼä³Î ÄÜÅÙÃ÷ Àü¼Û¿¡ ´ëÇÑ ¼ö¿ä°¡ Áö¼ÓÀûÀ¸·Î Áõ°¡ÇÏ´Â °¡¿îµ¥, Ç÷¹À̾ƿô ÀÚµ¿È­¿Í CiaB¸¦ ÅëÇØ ¹Ìµð¾î ±â¾÷Àº ´Ù¾çÇÑ Ç÷§Æû¿¡¼­ ÄÜÅÙÃ÷ Àü¼ÛÀ» È¿À²ÀûÀ¸·Î °ü¸®ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¶óÀ̺ê À̺¥Æ®, ³ìÈ­µÈ ÄÁÅÙÃ÷, µ¿Àû ±¤°í »ðÀÔÀ» °ü¸®Çϵç, Ç÷¹À̾ƿô ÀÚµ¿È­´Â Á¤È®¼ºÀ» º¸ÀåÇϰí ÀÎÀû ¿À·ù¸¦ ÁÙ¿©ÁÝ´Ï´Ù. ÀÌ ±â¼úÀº ÄÁÅÙÃ÷ ¹èÆ÷ ¹æ½ÄÀ» À籸¼ºÇÏ¿© ¸ðµç ±Ô¸ðÀÇ ¹æ¼Û»ç°¡ Á¡Á¡ ´õ ¼¼ºÐÈ­µÇ°í µðÁöÅÐ ¿ì¼±ÀÇ ¹Ìµð¾î ȯ°æ¿¡¼­ °æÀïÇÒ ¼ö ÀÖµµ·Ï µ½°í ÀÖ½À´Ï´Ù.

±â¼úÀÇ ¹ßÀüÀº ¾î¶»°Ô Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ¼Ö·ç¼ÇÀ» Çü¼ºÇϰí Àִ°¡?

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½Ã½ºÅÛÀÇ ±Þ¼ÓÇÑ È®»êÀÇ ÇÙ½ÉÀº ±â¼ú Çõ½Å¿¡ ÀÖ½À´Ï´Ù. Ŭ¶ó¿ìµå ±â¹Ý Ç÷¹À̾ƿô ¼Ö·ç¼ÇÀº ¹æ¼Û»ç°¡ ¿ø°ÝÀ¸·Î ¹æ¼Û±¹À» Á¦¾îÇÏ°í °ÅÀÇ ¸ðµç °÷¿¡¼­ ä³ÎÀ» °ü¸®ÇÒ ¼ö ÀÖ°ÔÇÔÀ¸·Î½á ¾÷°èÀÇ °ÔÀÓ Ã¼ÀÎÀú·Î ºÎ»óÇϰí ÀÖ½À´Ï´Ù. ÀÌ ±â¼úÀº ƯÈ÷ ¼Ò±Ô¸ð ¹æ¼Û»ç¿¡ µµ¿òÀÌ µÇ¸ç, ÀÎÇÁ¶ó ºñ¿ëÀ» Àý°¨ÇÏ°í ¿î¿µÀ» È¿À²ÀûÀ¸·Î È®ÀåÇÒ ¼ö ÀÖ½À´Ï´Ù. Ŭ¶ó¿ìµå ÅëÇÕÀº ¶ÇÇÑ ÄÁÅÙÃ÷ Àü¼ÛÀÇ ¹Îø¼ºÀ» ³ô¿© ¹°¸®Àû ÀÎÇÁ¶ó¸¦ ¾÷±×·¹À̵åÇÏÁö ¾Ê°íµµ »õ·Î¿î ä³ÎÀ» Ãß°¡Çϰí, Àü ¼¼°è¿¡ ÄÁÅÙÃ÷¸¦ Àü¼ÛÇϰí, º¯È­ÇÏ´Â ½ÃÀå ¼ö¿ä¿¡ ´ëÀÀÇÒ ¼ö ÀÖ´Â À¯¿¬¼ºÀ» Á¦°øÇÕ´Ï´Ù.

ÀΰøÁö´É(AI)°ú ¸Ó½Å·¯´×ÀÇ ¹ßÀüÀ¸·Î Ç÷¹À̾ƿô ÀÚµ¿È­°¡ Å©°Ô °³¼±µÇ°í ÀÖÀ¸¸ç, AI´Â ÄÁÅÙÃ÷ ½ºÄÉÁÙ¸µ, ±¤°í »ðÀÔ, ¿À·ù °¨Áö µî ÀÏ»óÀûÀÎ ÀÛ¾÷À» ÀÚµ¿È­ÇÏ´Â µ¥ Ȱ¿ëµÇ°í ÀÖ½À´Ï´Ù. ½Ç½Ã°£À¸·Î ½Ãû·ü µ¥ÀÌÅ͸¦ ºÐ¼®ÇÏ¿© ½ÃûÀÚ Âü¿©µµ¸¦ ³ôÀ̱â À§ÇØ ÇÁ·Î±×·¥ ½ºÄÉÁÙÀ» ÃÖÀûÈ­ÇÒ ¼ö ÀÖ½À´Ï´Ù. ÀÚµ¿ ¿À·ù ¼öÁ¤, ÀçÇØº¹±¸ ½Ã½ºÅÛ, ÆäÀÏ¿À¹ö ¼Ö·ç¼ÇÀÌ Å¾ÀçµÇ¾î ÀÖ¾î Çϵå¿þ¾î Àå¾Ö°¡ ¹ß»ýÇØµµ ¹æ¼Û ¾÷¹«°¡ ÁߴܵÇÁö ¾Ê½À´Ï´Ù. ÀÌ·¯ÇÑ ±â¼ú ¹ßÀüÀ¸·Î Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× CiaB ½Ã½ºÅÛÀº ´õ¿í °­·ÂÇÏ°í ½Å·ÚÇÒ ¼ö ÀÖÀ¸¸ç, Çö´ë ¹æ¼ÛÀÇ ¿ä±¸ »çÇ×À» ÃæÁ·ÇÒ ¼ö ÀÖ°Ô µÇ¾ú½À´Ï´Ù.

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º°¡ ¿©·¯ »ê¾÷¿¡¼­ äÅõǴ ÀÌÀ¯´Â ¹«¾ùÀΰ¡?

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½ºÀÇ µµÀÔÀº ±âÁ¸ ¹æ¼Û»ç»Ó¸¸ ¾Æ´Ï¶ó ´Ù¾çÇÑ ºÐ¾ß·Î È®´ëµÇ°í ÀÖ½À´Ï´Ù. ±Þ¼ºÀåÇϰí ÀÖ´Â OTT(Over-The-Top) ¹× ½ºÆ®¸®¹Ö ¼­ºñ½º ¾÷°è¿¡¼­´Â CiaB ±â¼úÀ» ÅëÇØ ¼­·Î ´Ù¸¥ ÄÁÅÙÃ÷ ¿ä±¸»çÇ×À» °¡Áø ¿©·¯ ä³ÎÀ» È¿À²ÀûÀ¸·Î °ü¸®ÇÒ ¼ö ÀÖ½À´Ï´Ù. ½ºÆ®¸®¹Ö Ç÷§ÆûÀº Ç÷¹À̾ƿô ¿ÀÅä¸ÞÀ̼ÇÀÌ Á¦°øÇÏ´Â ½ºÄÉÁÙ¸µ, ±¤°í ¹× ÄÁÅÙÃ÷ ¹èÆ÷ ±â´ÉÀÇ ¿Ïº®ÇÑ ÅëÇÕÀ» ÅëÇØ ÇýÅÃÀ» ´©¸± ¼ö ÀÖ½À´Ï´Ù. ¼ÒºñÀÚµéÀÌ º¸´Ù ¸ÂÃãÈ­µÈ ¿Âµð¸Çµå ÄÁÅÙÃ÷¸¦ ¿øÇϰí ÀÖ´Â °¡¿îµ¥, Ç÷¹À̾ƿô ÀÚµ¿È­´Â ´Ù¾çÇÑ ÄÁÅÙÃ÷¸¦ ½Ç½Ã°£À¸·Î ¿©·¯ Ç÷§Æû¿¡ ¹èÆ÷ÇÏ´Â µ¥ ÀÖ¾î Áß¿äÇÑ ¿ªÇÒÀ» Çϰí ÀÖ½À´Ï´Ù.

ÀüÅëÀûÀÎ TV ¹æ¼Û»çÀÇ °æ¿ì, µðÁöÅÐ ¹× IP ±â¹Ý ¿öÅ©Ç÷οì·ÎÀÇ Àüȯµµ µµÀÔÀÇ ¿øµ¿·ÂÀÌ µÇ°í ÀÖ½À´Ï´Ù. ¸¹Àº ¹æ¼Û»çµéÀÌ ·¹°Å½Ã ½Ã½ºÅÛ¿¡¼­ ¿ÏÀü ÀÚµ¿È­µÈ CiaB ¼Ö·ç¼ÇÀ¸·Î ÀüȯÇÏ¿© ¾÷¹«¸¦ °£¼ÒÈ­Çϰí, À¯Áöº¸¼ö ºñ¿ëÀ» Àý°¨Çϸç, ½ÃûÀÚ¿¡°Ô °íǰÁú ÄÁÅÙÃ÷¸¦ Á¦°øÇϰí ÀÖ½À´Ï´Ù. ¶ÇÇÑ, ½ºÆ÷Ã÷ Áß°è´Â Ç÷¹À̾ƿô ÀÚµ¿È­¸¦ ÅëÇØ ¸ÖƼ Ä«¸Þ¶ó ¾Þ±Û, ½Ç½Ã°£ ±×·¡ÇÈ, ºü¸¥ ÄÁÅÙÃ÷ ÀüȯÀ» °ü¸®ÇÏ¿© ÆÒµé¿¡°Ô ºÎµå·´°í ¿ªµ¿ÀûÀÎ ½Ãû °æÇèÀ» Á¦°øÇϰí ÀÖ½À´Ï´Ù. ±â¾÷ Ä¿¹Â´ÏÄÉÀ̼Ç, ±³À°±â°ü µî Æ´»õ ºÐ¾ß¿¡¼­µµ ´ë±Ô¸ð ÀÎÇÁ¶ó ¾øÀ̵µ ÀϰüµÈ Àü¹®°¡ ¼öÁØÀÇ ÄÁÅÙÃ÷¸¦ Á¦°øÇϱâ À§ÇØ Ç÷¹À̾ƿô ÀÚµ¿È­¸¦ µµÀÔÇϰí ÀÖ½À´Ï´Ù.

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½ÃÀåÀÇ ¼ºÀåÀ» ÃËÁøÇÏ´Â ¿äÀÎÀº ¹«¾ùÀΰ¡?

Ç÷¹À̾ƿô ÀÚµ¿È­ ¹× ä³Î ÀÎ ¾î ¹Ú½º ½ÃÀåÀÇ ¼ºÀåÀº ¸î °¡Áö ¿äÀο¡ ÀÇÇØ ÁÖµµµÇ°í ÀÖ½À´Ï´Ù. ÁÖ¿ä ¿äÀÎÀ¸·Î´Â ¹æ¼ÛÀÇ Å¬¶ó¿ìµåÈ­¿Í ¸ÖƼ Ç÷§Æû ÄÁÅÙÃ÷ Àü¼Û¿¡ ´ëÇÑ ¼ö¿ä°¡ Áõ°¡Çϰí ÀÖ´Ù´Â Á¡À» µé ¼ö ÀÖ½À´Ï´Ù. Ŭ¶ó¿ìµå ÅëÇÕÀ» ÅëÇØ ¹æ¼Û»ç´Â º¸´Ù À¯¿¬ÇÑ ¿î¿µÀÌ °¡´ÉÇØÁ® °í°¡ÀÇ ¿ÂÇÁ·¹¹Ì½º ÀåºñÀÇ Çʿ伺À» ÁÙÀÌ°í ¿ø°ÝÀ¸·Î ¿î¿µÇÒ ¼ö ÀÖ°Ô µË´Ï´Ù. »õ·Î¿î ä³Î°ú ¼­ºñ½º¸¦ ¿Âµð¸Çµå ¹æ½ÄÀ¸·Î Ãß°¡ÇÏ°í ½Å¼ÓÇÏ°Ô È®ÀåÇÒ ¼ö ÀÖ´Â ´É·Âµµ Ŭ¶ó¿ìµå ±â¹Ý Ç÷¹À̾ƿô ½Ã½ºÅÛ Ã¤ÅÃÀ» ÃËÁøÇÏ´Â Áß¿äÇÑ ¿äÀÎÀÔ´Ï´Ù.

±â¼úÀÇ ¹ßÀü, ƯÈ÷ ÀΰøÁö´É°ú ¸Ó½Å·¯´×ÀÇ ¹ßÀüµµ ½ÃÀåÀ» ¹ßÀü½Ã۰í ÀÖÀ¸¸ç, AI ±â¹Ý ÀÚµ¿È­ ½Ã½ºÅÛÀº ¾÷¹« È¿À²¼ºÀ» ³ôÀÏ »Ó¸¸ ¾Æ´Ï¶ó ¹æ¼Û»ç°¡ ½ÃûÀÚ ¼±È£µµ¿¡ µû¶ó ÄÁÅÙÃ÷ ¹èÆ÷¸¦ °³ÀÎÈ­Çϰí, ±¤°í ¹èÄ¡¸¦ ÃÖÀûÈ­Çϰí, ÇÁ·Î±×·¥ ½ºÄÉÁÙÀ» °³¼±ÇÒ ¼ö ÀÖ°Ô ÇØÁÝ´Ï´Ù. ÀÌ·¯ÇÑ ±â´ÉÀº °³ÀÎÈ­µÈ ÄÁÅÙÃ÷°¡ ½ÃûÀÚ À¯Áö¿¡ Áß¿äÇÑ ¿ªÇÒÀ» ÇÏ´Â OTT ¹× µðÁöÅÐ ½ºÆ®¸®¹Ö Ç÷§Æû¿¡¼­ ƯÈ÷ À¯¿ëÇÏ°Ô È°¿ëµÉ ¼ö ÀÖ½À´Ï´Ù.

½ÃûÀÚµéÀÌ ´Ù¾çÇÑ µð¹ÙÀ̽º¿Í Ç÷§Æû¿¡¼­ ÄÁÅÙÃ÷¸¦ Á¡Á¡ ´õ ¸¹ÀÌ Ã£°í ÀÖ´Â °¡¿îµ¥, ¼ÒºñÀÚ Çൿµµ Áß¿äÇÑ ¿øµ¿·ÂÀÌ µÇ°í ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ º¯È­·Î ÀÎÇØ ¹æ¼Û»çµéÀº ´õ¿í º¹ÀâÇÑ ÄÁÅÙÃ÷ Àü¼Û ¿ä±¸»çÇ׿¡ ´ëÀÀÇØ¾ß Çϸç, Ç÷¹À̾ƿô ÀÚµ¿È­´Â ÀÌ·¯ÇÑ ¿ä±¸¸¦ ¿øÈ°ÇÏ°Ô °ü¸®ÇÒ ¼ö ÀÖ´Â µµ±¸¸¦ Á¦°øÇÕ´Ï´Ù. ¶ÇÇÑ, ½º¸¶Æ® ½ÃƼ ¹× ½º¸¶Æ®È¨°ú °°Àº ½º¸¶Æ® ÀÎÇÁ¶óÀÇ È®´ë·Î ÀÎÇØ °íǰÁúÀÇ 24½Ã°£ 365ÀÏ ÄÁÅÙÃ÷ Àü¼Û¿¡ ´ëÇÑ ¼ö¿ä°¡ Áõ°¡ÇÔ¿¡ µû¶ó ¹æ¼Û»çµéÀº CiaB¿Í °°Àº È¿À²ÀûÀ̰í È®À强ÀÌ ¶Ù¾î³­ ¼Ö·ç¼Ç¿¡ ÀÇÁ¸Çϰí ÀÖ½À´Ï´Ù. ¸¶Áö¸·À¸·Î, IP ±â¹Ý ¿öÅ©Ç÷ο쿡 ´ëÇÑ Áö¼ÓÀûÀÎ ³ë·Â°ú º¸´Ù È¿À²ÀûÀÎ ÀçÇØº¹±¸ ¼Ö·ç¼Ç¿¡ ´ëÇÑ Çʿ伺ÀÌ ½ÃÀåÀ» ´õ¿í Ȱ¼ºÈ­½Ã۰í ÀÖ½À´Ï´Ù. ¹æ¼Û »ç¾÷ÀÚµéÀº Áß´Ü ¾ø´Â ¼­ºñ½º¸¦ À¯ÁöÇϱâ À§ÇØ ºñ¿ë È¿À²ÀûÀÌ°í °ß°íÇÏ¸ç ¹Ì·¡ÁöÇâÀûÀÎ ½Ã½ºÅÛÀ» ¿ä±¸Çϰí ÀÖ½À´Ï´Ù.

Á¶»ç ´ë»ó ±â¾÷ »ç·Ê(ÁÖ¸ñ 33°³»ç)

¸ñÂ÷

Á¦1Àå Á¶»ç ¹æ¹ý

Á¦2Àå ÁÖ¿ä ¿ä¾à

Á¦3Àå ½ÃÀå ºÐ¼®

Á¦4Àå °æÀï

ksm
¿µ¹® ¸ñÂ÷

¿µ¹®¸ñÂ÷

Global Playout Automation and Channel-in-a-Box Market to Reach US$97.5 Billion by 2030

The global market for Playout Automation and Channel-in-a-Box estimated at US$36.7 Billion in the year 2023, is expected to reach US$97.5 Billion by 2030, growing at a CAGR of 15.0% over the analysis period 2023-2030. News Channel Application, one of the segments analyzed in the report, is expected to record a 16.0% CAGR and reach US$45.5 Billion by the end of the analysis period. Growth in the Sports Channel Application segment is estimated at 14.7% CAGR over the analysis period.

The U.S. Market is Estimated at US$10.1 Billion While China is Forecast to Grow at 14.1% CAGR

The Playout Automation and Channel-in-a-Box market in the U.S. is estimated at US$10.1 Billion in the year 2023. China, the world's second largest economy, is forecast to reach a projected market size of US$14.8 Billion by the year 2030 trailing a CAGR of 14.1% over the analysis period 2023-2030. Among the other noteworthy geographic markets are Japan and Canada, each forecast to grow at a CAGR of 13.3% and 12.5% respectively over the analysis period. Within Europe, Germany is forecast to grow at approximately 10.6% CAGR.

Global Playout Automation and Channel-in-a-Box Market – Key Trends & Drivers Summarized

Why Is Playout Automation and Channel-in-a-Box Revolutionizing Broadcast Operations?

Playout automation and Channel-in-a-Box (CiaB) technology have significantly transformed the broadcasting industry, streamlining workflows and reducing operational costs. Traditionally, broadcasting operations required multiple pieces of equipment for content storage, processing, scheduling, and delivery, but CiaB has integrated these functions into a single, compact system. This shift has allowed broadcasters to manage multiple channels from a centralized location, delivering content with greater efficiency. Playout automation technology further enhances this by allowing broadcasters to schedule and deliver content with minimal human intervention, ensuring seamless, 24/7 operations.

In addition to simplifying operations, these technologies offer flexibility for broadcasters to scale their services. As the demand for Over-The-Top (OTT) platforms and multi-channel content delivery continues to rise, playout automation and CiaB allow media companies to manage content delivery across various platforms efficiently. Whether managing live events, pre-recorded content, or dynamic ad insertion, playout automation ensures precision and reduces human error. This technology is reshaping how content is delivered, making it easier for broadcasters of all sizes to compete in an increasingly fragmented and digital-first media landscape.

How Are Technological Advancements Shaping Playout Automation and Channel-in-a-Box Solutions?

Technological innovations are at the core of the rapid adoption of playout automation and Channel-in-a-Box systems. Cloud-based playout solutions are emerging as a game-changer in the industry, allowing broadcasters to operate remotely and manage channels from virtually any location. This technology is especially beneficial for smaller broadcasters, enabling them to reduce infrastructure costs and scale their operations efficiently. Cloud integration also enhances the agility of content delivery, providing flexibility to add new channels, distribute content globally, and respond to changing market demands without requiring physical infrastructure upgrades.

Advancements in artificial intelligence (AI) and machine learning are also driving significant improvements in playout automation. AI is being leveraged to automate routine tasks, such as content scheduling, advertisement insertion, and even error detection. With AI-enabled systems, broadcasters can analyze viewership data in real-time and optimize programming schedules for higher audience engagement. The inclusion of automated error correction, disaster recovery systems, and failover solutions ensures that broadcasting operations remain uninterrupted, even in cases of hardware failure. These technological advancements are making playout automation and CiaB systems more powerful, reliable, and capable of handling the demands of modern broadcasting.

Why Are Multiple Industries Embracing Playout Automation and Channel-in-a-Box?

The adoption of playout automation and Channel-in-a-Box is expanding beyond traditional broadcasters, finding applications in a variety of sectors. In the rapidly growing Over-The-Top (OTT) and streaming services industry, CiaB technology enables efficient management of multiple channels with different content requirements. Streaming platforms benefit from the seamless integration of scheduling, advertising, and content delivery features that playout automation provides. As consumers demand more tailored, on-demand content, playout automation plays a critical role in ensuring that diverse content is delivered to multiple platforms in real-time.

For traditional television broadcasters, the transition to digital and IP-based workflows is another driver of adoption. Many broadcasters are shifting from legacy systems to fully automated CiaB solutions to streamline their operations, reduce maintenance costs, and deliver higher-quality content to viewers. Additionally, live sports broadcasters are utilizing playout automation to manage multi-camera angles, real-time graphics, and quick content switching, ensuring a smooth and dynamic viewing experience for fans. Even niche sectors, such as corporate communication and educational institutions, are adopting playout automation to deliver consistent, professional-quality content without needing large-scale infrastructure.

What Factors Are Driving the Growth in the Playout Automation and Channel-in-a-Box Market?

The growth in the Playout Automation and Channel-in-a-Box market is driven by several factors, primarily fueled by the ongoing shift toward cloud-based broadcasting and the increasing demand for multi-platform content distribution. Cloud integration allows broadcasters to operate more flexibly, reducing the need for expensive on-premise equipment and enabling remote operations, which is particularly relevant in today’s work-from-anywhere environment. The ability to scale quickly and add new channels or services on demand is another key factor driving the adoption of cloud-based playout systems.

Technological advancements, especially in artificial intelligence and machine learning, are also propelling the market forward. AI-driven automation systems are not only enhancing operational efficiency but also enabling broadcasters to personalize content delivery based on viewer preferences, optimize ad placements, and improve programming schedules. These capabilities are particularly valuable in OTT and digital streaming platforms, where personalized content plays a significant role in viewer retention.

Consumer behavior is another significant driver, as viewers increasingly demand content across multiple devices and platforms. This shift has forced broadcasters to adapt to more complex content delivery needs, and playout automation offers the tools to manage these demands seamlessly. Furthermore, the expansion of smart infrastructure in the form of smart cities and smart homes is increasing demand for high-quality, 24/7 content delivery, prompting broadcasters to rely on more efficient and scalable solutions like CiaB. Lastly, the ongoing push toward IP-based workflows and the need for more efficient disaster recovery solutions are further fueling the market, as broadcasters look for cost-effective, robust, and future-ready systems to maintain uninterrupted service.

Select Competitors (Total 33 Featured) -

TABLE OF CONTENTS

I. METHODOLOGY

II. EXECUTIVE SUMMARY

III. MARKET ANALYSIS

IV. COMPETITION

(ÁÖ)±Û·Î¹úÀÎÆ÷¸ÞÀÌ¼Ç 02-2025-2992 kr-info@giikorea.co.kr
¨Ï Copyright Global Information, Inc. All rights reserved.
PC¹öÀü º¸±â